I ran into a very interesting concept a while ago but couldn't remember where, and I was trying to explain it to ACat a week or two back with the scraps I still remembered. It's called the Uncanny Valley, and the idea is that our reactions to a robot (or animated figure, or presumably a doll or other visual depiction) depend on how true to human they appear. The closer to human the more appealing, you might think - but it's not quite that simple. It's very interesting, and I just ran into it again, though I'm pretty sure it's not where I found it the first time.
http://www.wordspy.com/words/uncannyvalley.asp
Anyhow, the context in which I was trying to discuss this with ACat was in relation to Michael Jackson. Look at some of the recent photos - I think he's fallen right into that valley....
http://www.wordspy.com/words/uncannyvalley.asp
Anyhow, the context in which I was trying to discuss this with ACat was in relation to Michael Jackson. Look at some of the recent photos - I think he's fallen right into that valley....
no subject
Date: 2004-01-22 09:11 pm (UTC)no subject
Date: 2004-01-23 03:35 am (UTC)There's also a concept of "exotic beauty" in human aesthetics as well, as I mentioned in our discussion in Filkhaven. Exoticism depends on unusualness in form for attractiveness.
One can set out (as I suppose Jackson did) to try for an exotic aesthetic, but (as you termed it) slip into the uncanny valley. Hence one could very reasonably argue that the line between exotic beauty and the uncanny valley is very fine indeed.
The subject of aesthetics in general can be fascinating, and you've hit upon one aspect of it. De Gustibus Non Est Disputandum is quite correct; but understanding our tastes, why we like what we do or dislike what we don't, I think is a proper subject for rational inquiry.
"Hack Kapfh" -- Major Hoople
no subject
Date: 2004-01-23 05:03 am (UTC)no subject
Date: 2004-01-23 05:18 am (UTC)